The Rebel Flute

for KA

I wanted a clarinet
but my mother said it would give me buck teeth
I wanted drums
but who wants a power-drunk kid
flailing away in the basement?

I got a violin,
but after my parents endured two months
of their resident screech owl,
they gifted me with
"the perfect instrument for a girl"—a flute

I decapitated it and blew into the head piece,
spanking the open end, simulating turkey gobbles.
I slid my thumb in and out of its orifice,
grinning as it wailed like a police siren.

I buzzed my lips on the embouchure hole
as though it were a trumpet
(which would have been so much cooler,)
convincingly mimicking farts.

Bypassing the body
and joining the head to the foot joint,
I composed a 3-note ditty
and entertained my family
with infuriating regularity.

I flapped the keys mercilessly,
evoking the flutter of pigeons.
I blew smoke into the mouthpiece
and watched it waft up through the holes,
imagining that I had set it on fire.

I twirled it like a baton.
I hummed into it while blowing,
granting the timbre some cojones.
I tooted along with rock records,
pretending it was a flying V guitar.

Then, in college, it served as an easy entrée
I took it everywhere
like a joey in its mother’s pouch,
and it became my voice.

Finally seduced by its inherent sweetness,
I embraced its gentle power.
Now we turn air into music
like water into wine.

back to issue

Jean Fineberg is a poet and professional jazz musician. Her father left a new poem of his on the table every morning. That was probably Jean's greatest writing catalyst. She recently unearthed a book of poems she wrote when she was eight years old.

Jean has studied with noted poet Kim Addonizio, and her work has been published in Soliloquies Anthology, Vita Brevis and Literary Yard.

She has received seven residency fellowships at art centers around the USA, where she alternates between writing poetry and music.