Enlightenment

"Ridiculous," I thought
to meditate on a zabeb
(as we were instructed to do)
nonetheless, I took one
from the cut glass bowl
put it in my mouth
tossed it from left cheek to right
over, under my tongue
focused on its sweetness, chewiness—
taste, texture, scent—
its history of rain, sun, and earth

despite the cramp in my
left foot, despite the maneuvers
of my tongue to dislodge a zabeb
trapped in an upper molar
I made every effort to meditate

but instead of a spiritual experience
I kept thinking of Aunt Gus (prettiest
of the aunts, mother said,
if only she would have had orthodontia)
and of her husband, Uncle Milton
(whom I once heard play the musical saw
in my grandmother’s living room)

every Saturday morning Aunt Gus would sit
with a cup of coffee at the white kitchen table
in her Brooklyn apartment
plucking zabebs out of the Kügelhopf

I don't know what she did with them
did she throw them out
or perhaps give them to her daughter
deaf since the age of six months?

I assume that once she’d accumulated
a small pile of the offending delicacies
my aunt proceeded to feast
on the zabeb-less Kügelhopf

I doubt that dwelling on this history
counts as a meditation
but the memory returns me to a saner time in my life
and a heightened appreciation of the zabeb.

back to issue

Judith Dorian received her BA from Barnard College and PhD in musicology from the University of Pittsburgh. During her years as co-author of the Program Notes for the PSO, she penned a number of scholarly essays and book reviews. Judith has published poetry in several journals, most recently with VerseWrights, an online publication. She illustrated and published a book of children's poetry entitled "A Tiny Little Door" (see youtube).

Judith has lectured at Heinz Hall, at the Andy Warhol Museum, at Carnegie Music Hall, and at the Bedford Springs Festival. She has narrated poetry accompanied by the Quartetto Lattino Americano on the stage of Mellon Institute, and with the Bedford Springs Orchestra. This past spring she narrated Facade with chamber ensemble, music by William Walton and lyrics by Edith Sitwell. Most recently, she narrated T'was the Night Before Christmas with the Edgewood Symphony.

Judith also teaches piano and performs chamber music with friends.