In His Photograph of Spencer Tracy

Irving Penn captures the wariness
of a man cornered, at war with himself.
His wide-lapel suit almost askew,

hair prematurely gray, elbow hiked up
& a fist-clenched hand covering his mouth.
His eyes make you worry for him. Maybe

you’ve heard about his photographic memory,
his gift for friendship. He liked the company
of men: Pat O'Brien, Cagney, Frank McHugh,

John Ford & Bogart, but how he struggled
guilt-ridden, about the nerve-deafness of
his son, believing God had punished him

for some mortal sin. He & his wife Louise,
studies in sublimation. Unsettling to imagine
the man of conscience: Judgment at Nuremberg,

Bad Day at Black Rock, Inherit the Wind,
looped outside a brothel on Sunset Boulevard,
or hospitalized after a week-long bender.

There were the affairs with Loretta Young
even Ingrid Bergman, then the long & loving
je ne sais quoi with Katherine Hepburn.

That probably saved his life. Still, a moody guy.
The Irish in him? He could play anything:
Priest, murderer, mountain climber, politician,

fisherman, Clarence Darrow, father of the bride.
‘Greatest actor of his time’: Artless, understated.
You never catch him acting.

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Joan E. Bauer is the author of three full-length poetry collections, Fig Season (Turning Point, 2023), The Camera Artist (Turning Point, 2021), and The Almost Sound of Drowning (Main Street Rag, 2008). Recent work has appeared in Paterson Literary Review, Slipstream and Chiron Review. For some years, she was a teacher and counselor and now divides her time between Venice, CA and Pittsburgh, PA where she co-curates the Hemingway's Summer Poetry Series with Kristofer Collins.